What I’ve Been Up To

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Only a few good issues occurred in the previous couple of months. This picture was considered one of them.

Hiya once more!

I do know it has been awhile. Like the remainder of the world, COVID type of put me in a rut. However I made a decision that was okay. As an alternative of guilting myself, I laid myself down in my rut, lined myself in grime and leaves, and hibernated for few months. Proverbially (principally).

However now, I am in paper-writing hell. And writing tutorial papers simply makes me miss writing what I really like: critiques, suggestions, issues which might be strictly just-for-fun and do not contain in-depth analyses of Tristan und Isolde. That opera is such a clusterfuck — for the love of god, not even one cadence? (Please, no matter deities that be, make it so my music principle professor by no means reads this.)

So this is a enjoyable little replace on what I have been as much as since my final submit six(!) months in the past.

Digital Ensembles

I hate them. They are not the identical. Do not let anybody let you know that they are comparable, or substitute. They’re a band-aid on a bullet wound. However I am doing them anyway to really feel one thing, something.

I am fortunate to have a quartet with pals who additionally hate digital ensembles, however are doing them anyway to really feel one thing, something. Right here is our first enterprise, some Poulenc from again in [July? August? Summer.].

This was the primary time I placed on live performance black for the reason that pandemic began.

I by no means anticipated to have such feelings over a literal black T-shirt.

In just a few weeks, you possibly can hear me in a wholly digital manufacturing of Dido and Aeneas. I can be listening, however not earlier than a pleasant sturdy martini. Listening to recordings of oneself is precise, verified torture.

Summer time Courses

Solely considered one of them. Chemistry for Music Majors.

Cooking

Greater than any one who lives alone ought to.

A Pseudo-Musicology Discuss

My favourite live performance collection from final summer time, ChamberQUEER, went digital this summer time with two weeks of ChamberQUEERantine performances and talks.
My good friend A.Z. and I made a decision to do some form of free-form speak about queer on-line musical areas (numerous adjectives, I do know) as a result of neither of us had picked up our devices in months. What resulted was one thing that might make precise teachers scream. However hey, it was fairly enjoyable. After which we went to the after-party Zoom and bought cross-examined by somebody who I assume was an off-duty (however barely) trial lawyer.

Peep my now-broken brown chair :'(

Convincing Myself That I Need To Sing for a Dwelling

After which having a disaster and speaking myself out of that prospect three weeks later. At the very least for now 😉

A Yard Manufacturing of Dido and Aeneas

Furnished informally by the Yale Music Division, carried out socially distanced within the division chair’s yard. I used to be the drunken sailor, full with an empty bottle of Laphroaig (costly style!).

Deep Dives for Recital Rep

Maybe the most important loss for me within the COVID period has been alternatives to conduct. Final March and April, I used to be alleged to conduct the Yale Glee Membership on tour and conduct a fully-staged manufacturing of Stravinsky’s Pulcinella. With undergrads unilaterally barred from in-person efficiency right here, there are merely no actual conducting alternatives.

My senior undertaking was going to be a efficiency of Buxtehude’s Membra jesu nostri — 5 vocalists, one on a component, plus a seven- or eight-person instrumental ensemble. However in fact, that is not allowed. And I used to be unhappy and offended about that for awhile. And I mentioned fuck it, I am not leaping by hoops to attempt to get an ensemble for my undertaking. I am going at it alone.
So I began growing a program for solo, unaccompanied voice, partially impressed by considered one of my favourite albums: Marc Mauillon’s Songline: itinéraire monodique. This system is not completely set but, however this is a sneak peek at a comparatively new addition, a stunning cantiga de amigo by thirteenth-century(?) Galician(??) composer Martin Codax. This track is a part of a set that could be the one surviving Galician secular songs in historical past — that’s, if Codax was certainly Galician.

Anyway, that is about it from me. Hopefully, I will be writing extra within the coming months — I am developing on a winter break the place I will don’t have anything to do however observe my *top-secret* recital repertoire. Hope you all keep protected and wholesome, each bodily and mentally!

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