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Set Svanholm
September 2, 1904 – October 4, 1964
Set Karl Viktor Svanholm was born Sept. 2, 1904, in Vesteros, Sweden. His father was a minister, his mom a trainer and each mother and father had been musical. He discovered to play organ from his father.
After commencement from junior faculty in 1922, he taught faculty and acted as organist‐choirmaster in a village close to his house. He additionally raised funds to attend the Royal Conservatory in Stockholm by giving live shows in church buildings.
On the Royal Conservatory the place he arrived in 1927, he was considered one of 4 vocal pupils of John Forsell, then director of the Royal Opera. The others had been Joel Berglund and the late Jussl Bjoeriing, and Nina Hogstedt, who deserted singing in 1934 to develop into Mrs. Svanholm.
Mr. Svanholm studied to be a musical director in addition to a singer. When he was graduated from the conservatory, he was a baritone. He made his debut in 1930 as Silvio in “Pagliacci” with the Royal Opera.
From the tip of World Struggle II till his retirement from the Metropolitan in 1956, Mr. Svanholm was recognized all through the opera world as a number one singer of Wagnerian tenor roles. Throughout his decade on the Metropolitan he sang all the principle Wagner roles many instances, nearly at all times to excessive vital reward.
Mr. Svanholm continued to sing the principle Wagnerian roles overseas after he left the Metropolitan to develop into head of the Royal Swedish Opera in Stockholm, however the pressures of manufacturing 40 or so operas a season and administering a big firm curtailed his actions.
He was additionally nicely obtained as a recitalist. Noei Straus, writing in The Occasions of Mr. Svanholm’s recital debut in City Corridor in March, 1948, described him as “an uncommonly gifted purveyor of songs … a uncommon phenomenon.” Mr. Straus praised him for “extremely perfected vocalism and pronounced interpretative talent.”
Second Debut as Tenor
He determined that he was actually a. tenor, and after additional examine made his tenor debut as Radames in “Aida” in 1936, additionally with the Royal Opera. Bruno Walter heard him sing and invited him to the Vienna Staatsoper, which marked, the beginning of Mr. Svanholm’s worldwide profession.
In April, 1949, Arturo Toscanini selected him for an look with the Nationwide Broadcasting Firm Symphony.
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