[ad_1]
Ramón Vinay
August 31, 1911 – January 4, 1996
Ramon Vinay was a Chilean-born singer (Chillán, Chile), finest identified for his performances of Italian and German heroic-tenor roles.
Vinay was 5 when his mom died. His father later returned to France and in time took his three sons to France as properly. The singer was despatched to Mexico to check when he was 15.
In 16 seasons with the Metropolitan Opera, from 1945 to 1961, Mr. Vinay sang 14 roles, and was maybe finest identified for his interpretation of the title position in Verdi’s “Otello,” wherein he opened the Met’s 1948-49 season. He was additionally carefully related to the summer season Wagner competition at Bayreuth within the 1950’s and sang broadly in Europe and South America.
He sang Don Jose in his debut with the New York Metropolis Opera in September 1945 and with the Metropolitan Opera the following February. His most frequent Met roles, along with Don Jose and Otello, had been Canio in “I Pagliacci,” Saint-Saens’s Samson, Wagner’s Tristan, Radames in “Aida” and Herod in “Salome.”
In a well-known 1959 Met “Tristan und Isolde,” Vinay was the primary of three indisposed Tristans who agreed to sing an act apiece reverse the corporate’s new Isolde, Birgit Nilsson. He was adopted by Karl Liebl and Albert da Costa.
Vinay made his Bayreuth debut as Tristan, with Herbert von Karajan conducting, in 1952. Over the following 5 seasons, he additionally sang Parsifal, Siegmund in “Die Walkure” and Tannhauser. In 1962, he returned to Bayreuth, a baritone once more, singing Telramund in “Lohengrin.”
As a baritone, Vinay additionally sang Iago in “Otello,” Verdi’s Falstaff, Scarpia in “Tosca” and Physician Schon in “Lulu.” In 1966, he returned to the Met for a single efficiency of the comedian bass position of Don Bartolo in “The Barber of Seville.” He was an “honored visitor” on the Met’s Centennial Gala in 1983.
Arturo Toscanini and Wilhelm Furtwangler had been among the many conductors with whom Mr. Vinay sang “Otello.” Toscanini’s 1947 broadcast efficiency with the NBC Symphony was recorded by RCA.
At the same time as a tenor, nevertheless, his vocal timbre retained its darkish, baritonal colouration.
A advantageous actor, Vinay was additionally the primary tenor to sing the position of Otello on tv. That was in 1948, within the preliminary telecast of a complete opera from the Met. He additionally sang Otello at La Scala, in Salzburg and on the Royal Opera Home, Covent Backyard. In all, he carried out it a whole lot of occasions. He’s mentioned to be one of many two opera singers to have sung each Otello and Iago (the baritone villain) in Verdi’s tragic masterpiece throughout the course of a profession (the opposite being Carlos Guichandut).
[ad_2]