Newport Up to date Ballet’s ‘A Newport Nutcracker at Rosecliff’- Dance Informa Journal

“Magic”. Perhaps we consider fairies, elves, Santa Claus and every other variety of legendary beings. But, if we imagine that magic is throughout us, on a regular basis, can we additionally imagine that we are able to making magic? Newport Up to date Ballet (NCB)’s A Newport Nutcracker at Rosecliff is all the time constructed in a means that has me questioning who catalyzes the magic at hand: the Winter Fairy, Drosselmeyer, the Sugarplum Fairy, or all of them in flip? 

After a pre-show observe from Creative Director Danielle Genest, I noticed that query slightly in another way this yr. She famous how the huge enterprise of the manufacturing is feasible solely due to the work of dancers, volunteers and the bigger neighborhood that helps the corporate. We make the Nutcracker magic – all of us, collectively. 

Within the healthful, Victorian-era world of the manufacturing, nevertheless, the Winter Fairy (Margot Aknin) appeared to kick off the story’s otherworldly happenings. Aknin danced with the ethereal effervescence of the spritely being that she embodied. I felt one thing transcendent as Tchaikovsky’s rating got here up, as properly – as I all the time do, regardless of what number of instances I’ve heard it. There’s no magic fairly like Nutcracker magic. 

The characters led us into their vacation get together, full with items and a brightly-lit tree. The attendants danced with easy grace, so very accustomed to internet hosting and attending such opulent gatherings. Solely Drosselmeyer (Gregory Tyndall) was one thing one won’t anticipate – and all of the extra entertaining for it. Quickly we met the delightfully candy Ballerina Doll (Jenna Torgeson) and the stoically highly effective Soldier Doll (Benjamin Rabe). 

The Winter Fairy returned to sprinkle her magic right here – and youngsters on the get together noticed her. The road between actuality and her magical world was blurring. She appeared to blur the traces additional with the incoming rats and their Rat Queen (Deanna Gerde); have been all occasions right here, even those who appeared scary, a part of her grand plan? 

In any case, via all of it, Kathleen Medeiros danced Tess with each refined grace and spectacular understatement. She compelled not a factor. Tess Oelrichs, a woman who as soon as lived at Rosecliff, is NCB’s model of Clara. The Battle Scene introduced the organized chaos of true battle, and the Waltz of the Snowflakes the pure fantastic thing about snow softly coming down. 

NCB’s model of that waltz had simply two dancers to begin, after which extra joined – reflective of how snow typically builds from only a few flurries to full sheets coming down. The intricacy and multiplicity attribute of this variation was very a lot available. The ballroom glistened via all of it, with a number of snowy bushes and a wintery glow in lighting (by Stephen Petrilli, with manufacturing and stage administration by Vivian Okay. Humphrey). Tess was totally within the magic, and we have been proper there along with her. 

A shout out to Kelly Moeller Rabe and her trusty accomplice Raum Aron Gens-Ostrowski, who executed a memorable Snow Pas de Deux. Moeller Rabe’s artistry demonstrated that moderately than an aesthetic concern, a tall lady dancing en pointe can convey fascinating energy and charm.

It appears as if the Sugarplum Fairy took the reins of working the magic for the second act. Brooke DiFrancesco danced the function along with her signature ease, but additionally rock-solid technical command. She lets the motion resonate via her, like a rung bell, and it appears as pure as respiration. 

Aknin and Carson Ford danced Chocolate with as a lot elan as one may hope for. The vocabulary had a satisfying basis of balletic shapes with infusions of Spanish aptitude. In Espresso, Lauren Difede and Isabelle Ramage created compelling thriller with watercolor scarves (costume design by Eileen Stoops) and curvilinear motion. Oranges and reds crammed the ballroom’s white partitions. With such design enhances, every variation grew to become its personal enchanting little world. 

Tea, with Jenna Torgeson and a corps of youth forged dancers, provided a zippy deal with of intricate footwork and gracefully arching shapes. The Sweet Canes have been as elegant and stately as Moeller Rabe’s and Emily Baker’s white gloves (additionally with Gregory Tyndall, to bounce as a trio). 

Benjamin Rabe introduced jaw-dropping athleticism in Trepak, with an accompanying corps for this variation as properly. It was one other speedy deal with of pure, pulsing vitality. Mom Ginger (Martha Parker) and her Polichinelles (two teams of younger dancers at separate ages), with Tess additionally becoming a member of in, created fairly the get together – the place everybody was invited. The viewers, clapping alongside, wasn’t about to be neglected of the enjoyable! 

4 flowers and the Dewdrop Fairy (Deanna Gerde) then graced the stage for the Waltz of the Flowers. They provided shapes and formations simply as gently and gracefully shapely as rose petals. Gerde, for her half, radiated vitality – similar to a flower in full bloom. 

The Coda, with Timur Kan bringing his standard mixture of delicate artistry and uncooked energy, was as fascinating as ever. Then got here the finale, by which it’s a delight to have the entire stage area bursting with all of those characters of sweetness and magic.

A enjoyable factor with seeing separate Nutcrackers is what number of have barely completely different endings. NCB’s had the Sugarplum Fairy putting the Nutcracker Doll in Tess’s arms as she slept. The Sugarplum Fairy then exited. Tess awoke. She checked out her doll, as completely satisfied as could possibly be, and joyfully ran off with it. “Actual” or not, what had occurred was a delight – and that gave the impression to be sufficient for her. 

After we all work collectively to convey magic to the stage – performers, designers, directors, volunteers, patrons, neighborhood members – it may be sufficient. In reality, it’s sometimes simply that: utter magic. We don’t want fairies or dolls that come to life to expertise it. The vacation season, with its distinctive combination of organized chaos and brilliant cheer, can remind us of that reality. Thanks as all the time, Newport Up to date Ballet, for serving to to convey us that magic! 

By Kathryn Boland of Dance Informa.