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Final week, Lazer dropped a brand new mixtape, Injoy, and it’s barely underwhelming, failing to seize the thrilling chaos of clicking round his SoundCloud. Nonetheless, there are standouts like “Should Run,” which is mainly apocalyptic carnival music, and “Awsum,” which appears like he’s sending transmissions from the sewer. The difficulty is that, even at a compact 24 minutes, the whole lot blends collectively and the novelty wears off. The expertise is like consuming a complete tub of ice cream: Two or three scoops in, you’re pondering that is mankind’s biggest invention, however as you get deeper into the carton, you’re numb to the richness.
Possibly extra disappointing than the music is that the mixtape feels extra prefer it exists to mark a second moderately than be the second. Simply tossed out into the world to capitalize off the excitement. I hate to assume that Lazer Dim 700 will turn into one other viral web rap phenom, thrust into the highlight and compelled to hurry run a complete profession in months, the music turning into an afterthought to journeys to L.A., podcast appearances, disappointing label provides, and entry into the Rolling Loud multiverse. So I shut off Injoy and went again to Lazer’s SoundCloud web page, loaded up the month-old “Intervene,” the place he opens with probably the most exasperated “Fuck” earlier than grumbling about how he’s out of weed because the 808s sputter like a fish on the dock. It was so cool that, for a second, all my pessimism pale away.
Jelani Miller’s eye-catching 106 & Park–core music movies
For probably the most half, mainly each rap video has the same look nowadays. Both barebones and shot on the fly or overproduced with approach too many digital edits. (Cole Bennett has performed irreparable harm.) Additionally, I swear if I’ve to see one other mic hanging from the heavens my physique goes to begin convulsing like Child Kia when he raps. (Facet be aware: I’ve been shadin’ Child Kia for some time now, however “OD Crashin” is wonderful.)
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