[ad_1]
Jeffrey Mumford
Echoing Depths
Albany Data
Jeffrey Mumford’s music channels excessive modernism into imaginative works which might be luminously textured. His newest Albany launch, Echoing Depths, options two items for orchestra and one other for piano and ensemble. All three are concertos, a type that befits Mumford’s penchant for virtuosity.
The cello concerto Of fields unfolding … echoing depths of resonant gentle is devoted to the composer Elliott Carter, a centenarian who handed away in 2011. Carter has been a key affect on Mumford’s music and was one among his composition lecturers. Christine Lamprea is the soloist with the Detroit Symphony, carried out by Kazem Abdullah. Lamprea is a skilful cellist, and her intonation is evident, even in angular motives and broadly stretched multi-stops. Her efficiency of the piece, energetic and crystalline, is paying homage to Fred Sherry’s rendition of Carter’s Cello Concerto. Certainly, the piece itself channels Carter’s concerto model, with disparate scorings depicting numerous demeanors in a fancy colloquy. Of Fields unfolding…’s a number of cadenzas are abundantly virtuosic, and Lamprea assays them with command. Detroit has turn into an imposing ensemble in recent times, they usually deal with the appreciable calls for of the rating with aplomb, Abdullah main them in a rousing efficiency.
Changing into is a chamber concerto for piano. Winston Choi is the soloist with Ensemble dal Niente, carried out by Michael Lewanski. The overlapping of pitched percussion and piano creates a brilliant instrument redolent of fleet and punctilious articulations. Choi has made a specialty of Elliott Carter’s music, and thus has an entryway to Mumford’s model that comparatively few different artists have. His tone is sensible and incisive, which higher matches the correspondence with the percussionists. Ensemble dal Niente is a go-to group for modern music, and Lewanski is the conducting equal. Changing into is elegantly formed and a microcosm of Mumford’s music writ massive.
Mumford’s second violin concerto, Verdant cycles of deepening Spring, is the ultimate work on the disc. Soloist Christine Wu joins the Chicago Composers Orchestra, carried out by Allen Tinkham. The ensemble is well-rehearsed, with corruscating entrances and complexly balanced timbres rendered with authority. Tinkham excels at coping with the frequent tempo shifts and, as soon as once more, it’s spectacular how correct the recording is. Wu is an imposing soloist, taking part in the mercurial passagework, extensive leaps, and frequent dynamic contrasts with angle and accuracy. She has a supple, versatile tone and embodies the sense of battle that typifies the piece.
Echoing Depths has the prime quality of performances that the majority composers dream of when placing collectively a portrait CD. Mumford’s chamber works have been beforehand acquainted to me, however this disc of concertos exhibits that his music is a strong power when writ massive. Beneficial.
-Christian Carey
[ad_2]