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On June 29, 2012, Nick Miller regained consciousness in a Boulder, Colo., hospital room. The day earlier than, he’d overdosed on heroin, the ultimate act of a 10-day drug binge. Coming to, he noticed his mom and the unhappiness in her eyes. He was 21 years outdated and had been sober for 15 months after time in rehab and years of opiate dependancy. He’d been doing so nicely.
However his mother had recognized one thing was off after her son had gone quiet over textual content and cellphone. She known as a buddy of his, insisting they go examine on him whereas she packed a bag and booked the subsequent flight to Denver. The buddy discovered Miller unresponsive, thrust naloxone — the opioid overdose reversal remedy — up his nostril and dialed 911. If not for his mother’s sense that one thing was flawed, it’s unlikely that I’d be right here in Miller’s home on this chilly February afternoon in Los Angeles to speak with him about his unimaginable success as digital producer Illenium. It’s unlikely he’d be right here in any respect.
Sitting within the cave-like house studio inside his massive and in any other case light-filled home, Miller, 33, dotes on his canine — the regal Belgian Malinois Grace and a small however fierce blonde dachshund whose devoted Instagram account has 23,000 followers and for whom the home’s Wi-Fi community, “Palace du Peanut,” is known as — holding them in arms lined in sacred geometry and Eye of Sauron tattoos. He makes jokes and direct eye contact, speaks in ski-bum parlance (“fireplace,” “sick,” “chillin’ ”), endearingly giggles and usually comes off as an individual value rooting for.
I ask Miller what he’d say to that hospital room model of himself, given every little thing that has occurred since. His reply is speedy: “There’s no approach I might have even believed the chances.”
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