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Dance Informa continues the three-part collection, How you can navigate your European audition tour, the place we hear from three American dancers who’re working and dwelling overseas in Europe. For them, it was a dream that they made come true. So simply how did they do it? And what recommendation have they got to supply different dancers who want to make it overseas as effectively?
This version, we hear from Rachel Fallon, who skilled at Manhattan Youth Ballet and LINES Ballet Coaching Program earlier than freelancing in New York Metropolis. Now, she’s a member of Hofesh Shechter Firm since 2017.
Rachel Fallon – @rachelpatricefallon
Background
“I began ballet at a really younger age, and it wasn’t till my teenage years that I used to be launched to up to date motion. Up to date unlocked a brand new manner of transferring and being that profoundly resonated with me. After coaching at Manhattan Youth Ballet, I went to the LINES Ballet Coaching Program earlier than becoming a member of Sidra Bell Dance New York and different smaller tasks. I at all times had an enormous curiosity in dancing in Europe, and saved attempting to open extra connections and ties to that different world. After ending college, I went to the Netherlands to take courses and was capable of do freelance work there. The connections I made led me to hitch Luzerner Theatre in Switzerland, earlier than becoming a member of Hofesh Shechter Firm, the place I’ve labored for the final six years.
I made a decision to relocate to Europe as a result of it had at all times been a dream of mine and the correct alternative introduced itself. I loved my work in NYC and all of the great individuals I met, however I knew I needed a style of a full-time job in Europe. After ending college within the U.S., I used to be conscious of all of the variations in a European dance training and took it upon myself to take courses in issues I felt much less snug with. It was so essential to submerge myself within the surroundings I needed to be in nevertheless I may. I additionally really feel that artwork is extra readily funded by the federal government right here in Europe, which creates extra alternatives for secured dance work.”
Audition tour recommendation
“I don’t remorse any of the choices I made whereas auditioning round Europe, though it wasn’t at all times simple! It was a variety of money and time spent, however I noticed no different manner than to simply throw myself into all of it. For somebody who’s not nice at auditions, that was the chance I needed to take. One thing that helped me in the course of the audition course of was attempting to spend extra time with the businesses I used to be most occupied with. As a result of auditions aren’t my power, I’d ask to spend further time with the corporate or request a non-public audition if it was doable. This helped me really feel extra comfy, and likewise gave the businesses an opportunity to know me exterior that pressured audition surroundings.
Talking with individuals in your group is essential. The connections I’ve made whereas taking courses, doing tasks and dealing with corporations has undoubtedly expanded my alternatives, and has additionally made the journey rather more enjoyable. A lot of the work I’ve gotten has been by way of phrase of mouth, a advice or discovering a brand new alternative I wouldn’t have in any other case recognized about!”
Evolution of dance
“It’s arduous for me to pinpoint actual modifications to the dance scene right here in Europe, as issues appear to be evolving continuously. I do imagine that since COVID, it has turn into even tougher for dancers searching for work. The artwork world took an enormous hit and continues to be working by way of monetary wrestle, which may have an effect on corporations’ infrastructures. I’d say that is much more cause to create robust connections, not solely as dancers however as individuals. Discovering new impressed methods to domesticate creativity is extra essential now than ever earlier than!”
By Charly Santagado of Dance Informa.
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