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Candice Ivory, Queen of Avant Soul, Celebrates the fiftieth Anniversary of the Passing of Memphis Minnie with New Album Produced by Charlie Hunter on Little Village Basis.
After releasing three critically-acclaimed albums of authentic, jazz-fueled songs, Candice Ivory reveals a complete new sound along with her blues matriarch tribute, When the Levee Breaks: The Music of Memphis Minnie. The Memphis-raised and St. Louis-based Queen of Avant Soul, Ivory hails from an illustrious Memphis household that formed the town’s secular and sacred sounds. On October 6, 2023, she releases her collaboration with singular guitarist/bassist Charlie Hunter, When the Levee Breaks (Little Village Basis) – a midnight run to the crossroads the place jazz, blues, gospel, and R&B all converge.
Ivory shines an excellent mild on one of many blues’ best artists: Memphis Minnie. Ivory had lengthy deliberate to file an album of Memphis Minnie’s music, however the stars didn’t align till 2023, which occurs to be the fiftieth anniversary of her dying on the age of 76. The essential issue was Ivory’s budding friendship with Hunter, a participant equally steeped in jazz, soul, and Delta blues. Ivory notes, “I liked and revered my great-uncle Will Roy Sanders, however I used to be additionally on the lookout for girls position fashions in a really male-dominated discipline. As a working musician whereas nonetheless in highschool, I had an epiphany after I visited Memphis Minnie’s grave in Partitions, MS, only a few years after Bonnie Raitt bought a gravestone for the long-unmarked plot. I used to be amazed to find that Minnie’s grave had been reworked right into a shrine by all of the guests from across the globe. That made an unforgettable impression on me, but she’s largely unknown.”
When the Levee Breaks: The Music of Memphis Minnie options a few of Minnie’s finest recognized tunes, just like the title observe, famously coated by Led Zeppelin. In Ivory’s and Hunter’s fingers, the tune turns right into a primal, percussion-driven invocation harkening again to Oshun and Afro-Cuban orishas. Additionally they deliver a equally imaginative spirit to a different Minnie hit, “Me and My Chauffeur Blues,” a roadhouse boogie honoring the thrill of the open street. “That tune performs in my head like a film,” Ivory says. “It’s so apropos. I took this street journey to see her grave and years later, Charlie and I discovered a technique to make street music.”
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