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n.SSign “Blissful &”
Making a “glad track” with all minor keys may be very YG. That is completely the form of music BigBang and 2ne1 used to launch within the early 2010s (YG’s golden years). I preferred the harmonies (superior excessive notes as properly) and the refrain is tremendous catchy.
IU “Holssi”
There’s not quite a bit occurring on this track. The instrumental may be very one-note, the pre-chorus is lifting up the entire observe, however then the low vitality refrain and verses are pulling the observe all the best way down once more. The pre-chorus was actually wasted right here.
TEN “Nightwalker”
I can see the affect Taemin has had on TEN, however “Nightwalker” remains to be totally different sufficient and a reasonably strong single. Taeyong is trying to find himself, however nonetheless can’t rap with out sounding nasal and bored.
The Wind “H! Teen”
There’s quite a bit occurring on this track, the totally different sections and beat modifications generally got here out of nowhere and different occasions match very well. Total, I’m glad boy teams are experimenting with “contemporary” ideas once more. I might need to take heed to “H! Teen” just a few extra occasions earlier than I can determine whether or not I like this or was simply stunned by it.
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